In The Name Of King

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In The Name Of King

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In fact, both Dorothy Rodgers and Dorothy Hammerstein had read the novel in and had urged their husbands to consider it as a possible subject for a musical.

Rodgers and Hammerstein had disliked Landon's novel as a basis for a musical when it was published, and their views still held. It consists of vignettes of life at the Siamese court, interspersed with descriptions of historical events unconnected with each other, except that the King creates most of the difficulties in the episodes, and Anna tries to resolve them.

They had preferred to make stars rather than hire them, and engaging the legendary Gertrude Lawrence would be expensive. Lawrence's voice was also a worry: her limited vocal range was diminishing with the years, while her tendency to sing flat was increasing.

Lawrence's temperament was another concern: though she could not sing like one, the star was known to be capable of diva -like behavior.

Hammerstein found his "door in" to the play in Landon's account of a slave in Siam writing about Abraham Lincoln. Since a frank expression of romantic feelings between the King and Anna would be inappropriate in view of both parties' upbringing and prevailing social mores, [18] Hammerstein wrote love scenes for a secondary couple, Tuptim, a junior wife of the King, and Lun Tha, a scholar.

In the Landon work, the relationship is between Tuptim and a priest, and is not romantic. The musical's most radical change from the novel was to have the King die at the end of the musical.

The pair had to overcome the challenge of how to represent Thai speech and music. Rodgers, who had experimented with Asian music in his short-lived musical with Lorenz Hart titled Chee-chee , [22] did not wish to use actual Thai music, which American audiences might not find accessible.

Instead, he gave his music an exotic flavor, using open fifths and chords in unusual keys, in ways pleasant to Western ears. For the King's style of speech, Hammerstein developed an abrupt, emphatic way of talking, which was mostly free of articles, as are many East Asian languages.

The forceful style reflected the King's personality and was maintained even when he sang, especially in his one solo, "A Puzzlement". Nevertheless, the King is presented more sympathetically in the musical than in the novel or the film, as the musical omits the torture and burning at the stake of Lady Tuptim and her partner.

With Rodgers laid up with back trouble, Hammerstein completed most of the musical's book before many songs were set to music. Thompson sent Sharaff samples of silk cloth from Thailand and pictures of local dress from the midth century.

Robbins was very enthusiastic about the project and asked to choreograph the other musical numbers as well, although Rodgers and Hammerstein had originally planned little other dancing.

Robbins staged "The Small House of Uncle Thomas" as an intimate performance, rather than a large production number. The pair discussed having an Act 1 musical scene involving Anna and the King's wives.

The lyrics for that scene proved to be very difficult for Hammerstein to write. He finally sent the lyrics to Rodgers by messenger and awaited his reaction.

Hammerstein considered the song his best work and was anxious to hear what Rodgers thought of it, but no comment came from Rodgers.

Pride kept Hammerstein from asking. Finally, after four days, the two happened to be talking on the phone about other matters, and at the end of the conversation, Rodgers stated, very briefly, that the lyric was fine.

Josh Logan , who had worked closely with Hammerstein on South Pacific , listened to the usually unflappable writer pour out his unhappy feelings.

It was one of the few times that Hammerstein and Rodgers did not display a united front. Although the part of the King was only a supporting role to Lawrence's Anna, Hammerstein and Rodgers thought it essential that a well-known theatrical actor play it.

Alfred Drake , the original Curly in Oklahoma! With time running short before rehearsals, finding an actor to play the King became a major concern.

They told us the name of the first man and out he came with a bald head and sat cross-legged on the stage.

He had a guitar and he hit his guitar one whack and gave out with this unearthly yell and sang some heathenish sort of thing, and Oscar and I looked at each other and said, "Well, that's it.

Brynner termed Rodgers' account "very picturesque, but totally inaccurate". He recalled that as an established television director in CBS 's Starlight Theatre , for example , he was reluctant to go back on the stage.

His wife, his agent and Martin finally convinced him to read Hammerstein's working script, and once he did, he was fascinated by the character of the King and was eager to do the project.

Pre-rehearsal preparations began in late Hammerstein had wanted Logan to direct and co-write the book, as he had for South Pacific , but when Logan declined, Hammerstein decided to write the entire book himself.

Instead of Logan, the duo hired as director John van Druten , who had worked with Lawrence years earlier. The costume designer, Sharaff, wryly pointed the press to the incongruity of a Victorian British governess in the midst of an exotic court: "The first-act finale of The King and I will feature Miss Lawrence, Mr.

Brynner, and a pink satin ball gown. Shortly before rehearsals began in January , Rodgers had the first Tuptim, Doretta Morrow , sing the entire score to Lawrence, including Lawrence's own songs.

Lawrence listened calmly, but when she met Rodgers and Hammerstein the following day, she treated Rodgers coldly, apparently seeing the composer's actions as flaunting her vocal deficiencies.

She took the center of the barren stage wearing, for practice, a dirty muslin hoop over her slacks, with an old jacket thrown over her shoulders for warmth.

She began rather quietly on the note, "Your servant! Your servant! Indeed I'm not your servant! All of your people are toads.

At his first meeting with Sharaff, Brynner, who had only a fringe of hair, asked what he was to do about it. When told he was to shave it, Brynner was horror-struck and refused, convinced he would look terrible.

He finally gave in during tryouts and put dark makeup on his shaved head. The effect was so well-received that it became Brynner's trademark.

Lawrence's health caused her to miss several rehearsals, though no one knew what was wrong with her. Lawrence, suffering from laryngitis , had missed the dress rehearsal but managed to make it through the first public performance.

The Variety critic noted that despite her recent illness she "slinks, acts, cavorts, and in general exhibits exceedingly well her several facets for entertaining", but the Philadelphia Bulletin printed that her "already thin voice is now starting to wear a great deal thinner".

They took out a wonderful scene. Anna's first entrance into the palace comes with a song in which she sings, "Over half a year I have been waiting, waiting, waiting, waiting, waiting, waiting outside your door.

The King says "Who, who, who? So he says, "Bring her back! Left without a note to sing, Mervyn Vye abandoned the show and was replaced by John Juliano.

Lawrence suggested that they write a song for Anna and the children. Hammerstein wrote a new lyric for the melody, and the resulting song became "Getting to Know You".

Brynner regretted that there were not more tryout performances, feeling that the schedule did not give him an adequate opportunity to develop the complex role of the King.

When he told this to Hammerstein and Rodgers, they asked what sort of performance they would get from him, and he responded, "It will be good enough, it will get the reviews.

In , a strong-willed, widowed schoolteacher, Anna Leonowens, arrives in Bangkok, Siam later known as Thailand at the request of the King of Siam to tutor his many children.

Anna's young son, Louis, fears the severe countenance of the King's prime minister, the Kralahome, but Anna refuses to be intimidated " I Whistle a Happy Tune ".

The Kralahome has come to escort them to the palace, where they are expected to live — a violation of Anna's contract, which calls for them to live in a separate house.

She considers returning to Singapore aboard the vessel that brought them, but goes with her son and the Kralahome. Several weeks pass, during which Anna and Louis are confined to their palace rooms.

The King receives a gift from the king of Burma, a lovely slave girl named Tuptim, to be one of his many wives. She is escorted by Lun Tha, a scholar who has come to copy a design for a temple, and the two are secretly in love.

Tuptim, left alone, declares that the King may own her, but not her heart "My Lord and Master". The King gives Anna her first audience.

The schoolteacher is a part of his plan for the modernization of Siam; he is impressed when she already knows this.

She raises the issue of her house with him, he dismisses her protests and orders her to talk with his wives. They are interested in her, and she tells them of her late husband, Tom "Hello, Young Lovers".

The King presents her new pupils; Anna is to teach those of his children whose mothers are in favor with him — several dozen — and is to teach their mothers as well.

The princes and princesses enter in procession "March of the Royal Siamese Children". Anna is charmed by the children, and formality breaks down after the ceremony as they crowd around her.

Anna has not given up on the house, and teaches the children proverbs and songs extolling the virtues of home life, to the King's irritation.

The King has enough worries without battling the schoolteacher, and wonders why the world has become so complicated "A Puzzlement".

The children are surprised by a map showing how small Siam is compared with the rest of the world " Getting to Know You ". As the crown prince , Chulalongkorn, disputes the map, the King enters a chaotic schoolroom.

He orders the pupils to believe the teacher but complains to Anna about her lessons about "home". Anna stands her ground and insists on the letter of her contract, threatening to leave Siam, much to the dismay of wives and children.

The King orders her to obey as "my servant"; she repudiates the term and hurries away. The King dismisses school, then leaves, uncertain of his next action.

Lady Thiang, the King's head wife, tells Anna that the King is troubled by his portrayal in the West as a barbarian, as the British are being urged to take over Siam as a protectorate.

Anna is shocked by the accusations — the King is a polygamist, but he is no barbarian — but she is reluctant to see him after their argument. Lady Thiang convinces her that the King is deserving of support "Something Wonderful".

Anna goes to him and finds him anxious for reconciliation. The King tells her that the British are sending an envoy to Bangkok to evaluate the situation.

Anna "guesses" — the only guise in which the King will accept advice — that the King will receive the envoy in European style, and that the wives will be dressed in Western fashion.

Tuptim has been writing a play based on a book that Anna has lent her, Uncle Tom's Cabin , that can be presented to the guests. News is brought to the King that the British are arriving much earlier than thought, and so Anna and the wives are to stay up all night to prepare.

The King assembles his family for a Buddhist prayer for the success of the venture and also promises before Buddha that Anna will receive her own house "as provided in agreement, etc.

The wives are dressed in their new European-style gowns, which they find confining "Western People Funny". In the rush to prepare, the question of undergarments has been overlooked, and the wives have practically nothing on underneath their gowns.

When the British envoy, Sir Edward Ramsay, arrives and gazes at them through a monocle, they are panicked by the "evil eye" and lift their skirts over their heads as they flee.

Sir Edward is diplomatic about the incident. When the King is called away, it emerges that Sir Edward is an old flame of Anna's, and they dance in remembrance of old times, as Edward urges her to return to British society.

The King returns and irritably reminds them that dancing is for after dinner. As final preparations for the play are made, Tuptim steals a moment to meet with Lun Tha.

He tells her he has an escape plan, and she should be ready to leave after the performance "I Have Dreamed". Anna encounters them, and they confide in her "Hello, Young Lovers", reprise.

The play " Small House of Uncle Thomas ", narrated ballet is presented in a Siamese ballet-inspired dance. Tuptim is the narrator, and she tells her audience of the evil King Simon of Legree and his pursuit of the runaway slave Eliza.

Eliza is saved by Buddha , who miraculously freezes a river and conceals her in snow. Buddha then causes the river to melt, drowning King Simon and his hunting party.

The anti-slavery message is blunt. After the play, Sir Edward reveals that the British threat has receded, but the King is distracted by his displeasure at Tuptim's rebellious message.

After Sir Edward leaves, Anna and the King express their delight at how well the evening went, and he presents her with a ring.

Secret police report that Tuptim is missing. The King realizes that Anna knows something; she parries his inquiry by asking why he should care: Tuptim is just another woman to him.

He is delighted; she is at last understanding the Siamese perspective. Anna tries to explain to him the Western customs of courtship and tells him what it is like for a young woman at a formal dance "Shall We Dance?

He demands that she teach him the dance. She does, and in that dance they experience and express a love for each other that they can never speak aloud.

They are interrupted by the Kralahome. John Rhys-Davies as Merick. Ron Perlman as Norick. Claire Forlani as Solana.

Kristanna Loken as Elora. Matthew Lillard as Duke Fallow. Brian J. White as Commander Tarish. Mike Dopud as General Backler.

Will Sanderson as Bastian. Tania Saulnier as Talwyn. Ray Liotta as Gallian. Burt Reynolds as King Konreid. Gabrielle Rose as Delinda.

Terence Kelly as Trumaine. Colin Ford as Zeph. Michelle Harrison. Eva Padberg. Darren Shahlavi. Aaron Pearl. Michael Eklund. Ronald Selmour.

Paul Wu. Stephen Park. Marcel Maillard. Daniel Boileau. Christopher Rosamond. Sage Brocklebank. Carrie Fleming. Jacqueline Ann Steuart.

Travis MacDonald. Alana Kagan. Naomi Lazarus. Duncan Fraser. Aidan Williamson. Best and Worst Movies of the Furious 7 Stars. January 14, Rating: 1.

January 12, Rating: D. April 16, Full Review…. April 15, Full Review…. View All Critic Reviews May 18, The only thing worst are the special effects, which are atrocious.

And the score is mundane, capturing none of the adventure or wonder of a fantasy film. Dann M Super Reviewer. Mar 15, Directors C Super Reviewer.

Dec 19, Andreia C Super Reviewer. Jul 02, It's like a shittier version of Lord Of The Rings without the homosexual innuendos. Alex r Super Reviewer.

See all Audience reviews. Norick: I was just talking. Farmer: Well, everyone's got a talent. Merick: Sometimes, the Gods know what's best for us.

King Konreid What the hell does that mean!? After having made a handful of Good investments, he founded and CEO of Boll KG, through which he finances, produces and distributes his films.

He is also a participant in offshore small business coaching services. A simple family man Jason Statham becomes a reluctant warrior after an army of murderous beasts commanded by an evil sorcerer Ray Liotta ransacks his peaceful village and captures his wife Claire Forlani.

Director Uwe Boll conjures up a treacherous and magical medieval world filled with thrilling adventure, spectacular battles and warring wizards.

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